Profiles in Classical Guitar: Julian Bream

Julian Bream is one of the most famous classical guitarists of the twentieth century and he has achieved worldwide fame not only for the guitar but also for his work with the Renaissance Lute. He is considered to be one of the most important ambassadors of the classical guitar and has formed a solid bridge between the music of the past with the technology of today. He helped usher the classical guitar into the modern age.He was born in 1933 and took up the classical guitar on his eleventh birthday when he received one as a present. He was already an accomplished musician having studied piano and cello but with the classical guitar and lute he excelled. Significant Contributions

In 1960 he formed a group called the Julian Bream Consort. It was an Elizabethan period ensemble for which Bream played the lute. This Consort brought about a revival in interest of the Elizabethan era which is considered to be a period of time that was the absolute pinnacle of the English Renaissance. His work with this group earned him a Grammy award for best chamber music performance. This award would be the first of many awards which include three more Grammy awards.

One of the most important contributions he made to the world of the classical guitar was his development of a complete repertoire for performance. His transcriptions of works for guitar and lute span five centuries and he has particularly focused on lute works from the Elizabethan era and Spanish guitar works from the nineteenth and twentieth centuries. He has also had many composers create works specifically for him.

Ambassador to the media of the Twentieth Century

Bream has embraced television and radio and used these media to bring classical guitar and lute to a mass audience. His 2003 DVD video profile Julian Bream: My Life in Music, which is a three hour long piece, includes interviews and performances and is considered to be one of the finest contributions ever made to the world of Classical Guitar. He has also created a British television series entitled Guitarra! It charts a musical journey across Spain.

Learn More about Him

If you are looking to read more about him there is a newly published book called The Art of Julian Bream. If you are looking to experience some of his music you might want to start with his collaborative work with John Williams. They are a two volume set entitled Together and Together Again. If you want a more encompassing view of his music as it spans the decades he has a two volume CD set called The Ultimate Guitar Collection. The first CD is a compilation of many of his transcriptions and the second CD focuses on his works for Spanish guitar.

Julian Bream is one of the greatest classical of the modern day. His tireless performance and work with the guitar has spanned many decades of personal performance and many centuries of music. He has bridged the gap between the past and the future by giving us an enormous repertoire of music in just about every modern mode of media from CD to television and film. And it is his particular gift for transcription and interpretation that has enabled him to bring five centuries of plucked instrument music into the modern world.

: article by Will Kalif

What Makes A Classical Guitar Different To Other Types Of Guitar?

When you think of guitars, many people immediately think about one of two types – either the popular electric guitar used so prevalently by bands and groups that produce popular music, and the classical guitars more traditionally used for softer music, and classical music itself. The one distinctive attribute of a classical guitar is its ability to allow the musician to construct and play arrangements of music with multiple notes being played simultaneously, what is known as polyphonic music, and this is similar is in many respects to the traditional pianoforte.This ability to play polyphonic music is the one aspect above all others that sets the classical guitar aside from other types, including the popular acoustic guitar, bass guitars and the electric guitars, which are more limited in the notes and combinations which can be played. Although often it may be suggested that classical guitars are not the only type to be capable of this polyphonic sound, and that flamenco guitars offer the same opportunity, there is still one great difference that sets the two types of guitar aside. Classical guitars, as with most guitars, are designed to be plucked or strummed, whereas flamenco guitars are far more percussive, being played almost as though in the style of a piano, with the strings being struck or hit to create the resonating note, and this difference in playing method creates a very significant difference in the type of sound or voice, and the style of music that each instrument is capable of producing.

The classical guitar that we tend to think of has a broad family, and across the whole world the classical guitar comes in many flavours, each sharing the same quality and characteristic of being able to play polyphonic musical arrangements, but each lending the music a distinctive quality which reflects the different musical traditions and patterns of the culture of each country. For example, a wide range of guitars can be found in Mexico, with the very small guitar known as the requinto, and then the much larger guitarron which is so much larger that it competes with a cello for size, and therefore produces a much more deeply resonating sound, and is tuned to the same register as a bass guitar.

A similar range of different sizes and styles can be seen in Columbia too, with the smallest guitar being known as the bandola, and is most popularly used as a travelling guitar, since its small size allows it to be packed or carried with relatively little difficulty. A slightly larger version of the classical guitar than the bandola is the tiple, and this is mid way between the bandola and the classical guitar, although he classical guitar does itself appear in the Columbian repertoire. The classical guitar, or as they are often referred to today, the classic guitar, owes its shape and traditionally agreed dimensions to a man named Antonio Torres Jurado who lived from 1817 to 1892.

Today the modern classic guitar has ten strings, which is four more than a traditional guitar with only six. These four extra strings, called resonators, are tuned in a very special way that means that they can be played, and will resonate in tune to any of the twelve notes that can be played chromatically on the higher strings. The three bass strings on a classic ten string guitar are tuned in the same way, and this extra tuning for resonance is felt to improve and complement the sonority of the sound, giving a much more distinctive, clear and full performance of the music. Modern classic guitars are available in a number of different versions which can be played within different octaves, with the soprano guitar being used to play a full octave higher than a normal guitar, and a contrabass guitar achieving notes a full octave lower.

: article by Victor Epand