Posts filed under 'Guitar knowledge'
The Importance Of The Neck Of A Guitar
However, this is not to the detriment of the rigidity of the neck, and it is usually a very good and clear indication of the overall quality of a guitar, how firm the neck is. Any movement or looseness between the neck of the guitar and the body spells trouble quite quickly, and this joint is possibly the most important in the whole instrument. The neck of a guitar is not usually a straight flat board, but curved or bent slightly. This helps to increase the tension of the strings, keep them flat against the frets and improve the sound clarity. The exact shape of a neck can vary, the more traditional being a gentle curve, a little like a letter ‘c’, although there are also some guitars with a neck that actually has a distinct angle to it, more like a letter ‘v’.
Although the neck of a guitar is usually wooden, there are examples of guitars which are traditionally made with other material. For example, Steinberger guitars are most often found with necks made from graphite, a material which is extremely tough and durable, and found in a number of pieces of equipment which undergo heavy stress, such as the badminton and tennis rackets. Aluminium is another alternative to wood found in the construction of necks by some manufacturers, including Kramer, Veleno and Travis Bean, whilst Three Guitars and Modulus prefer using a substance called carbon fibre which is particularly light weight but very durable and capable of undergoing a good deal of stress.
The point at which the neck of a guitar joins the body is often referred to as the heel (a little confusing having the neck connected to the body using a heel!) and is generally glued, although in the case of some acoustic guitars and all electric guitars it is also bolted, especially where steel strings are used. Generally the joints are constructed using very traditional woodworking methods, such as mortise and tenon and dovetail, although Spanish guitars often use their own traditional heel neck joint, named after the traditional Spanish shoe which the joint looks a little like.
: article by Victor Epand
Add comment July 17, 2008
The 9 Basic Guitar Chords That Every Guitar Player Should Know
The 9 Basic Guitar Chords
The C major chord – Place your 3rd finger on the 3rd fret on the 5th string, your 2nd finger on the 2nd fret of the 4th string and your 1st finger on the 1st fret on the 2nd string. The 3rd and 1st strings are to be played open and the 6th string is not to be played.
The G major chord – Place your 2nd finger on the 3rd fret on the 6th string, your 1st finger on the 2nd fret of the 5th string and your 4th finger on the 3rd fret of the 1st string. The 4th, 3rd, and 2nd strings are to be played open.
The D major chord – Place your 1st finger on the 2nd fret on the 3rd string, your 3rd finger on the 3rd fret of the 2nd string and your 2nd finger on the 2nd fret on the 1st string. The 4th string is to be played open while the 5th and 6th strings are not to be played.
The E minor chord – Place your 2nd finger on the 2nd fret of the 5th string and your 3rd finger on the 2nd fret on the 4th string. The 6th, 3rd, 2nd and 1st strings should be played open.
The E major chord – Played the same as the E minor chord except the 3rd string is not played open but instead played with your 1st finger on the 1st fret.
The A minor chord – Played the same as the E major chord except the fingering is moved up one string set. Place your 2nd finger on the 2nd fret of the 4th string, your 3rd finger on the 2nd fret of the 3rd string and your 1st finger on the 1st fret of the 2nd string.
The A major chord – Played the same as the A minor chord except the note on the 2nd strings is moved up one fret and the chord is re-fingered. Place your 1st finger on the 2nd fret on the 4th string, your 2nd finger on the 2nd fret on the 3rd string and your 3rd finger on the 2nd fret on the 2nd string.
The D minor chord – Place your 2nd finger on your 2nd fret on the 3rd string, your 3rd finger on the 3rd fret on the 2nd string and your 1st finger on the 1st fret on the 1st string.
The F major chord – Place your 3rd finger on the 3rd fret of the 4th string your 2nd finger on the 2nd fret on the 3rd string and your 1st finger on the 1st fret on both the 2nd and 1st strings.
Take your time to learn these 9 basic guitar chords. You may find some chords are hard to finger, particularly F major and A major, but with practice they will come. You should find that in no more then a few weeks you will have these chords down solid and be able to move from one chord to the next rather comfortably.
: article by Jonathan Dykerman
Add comment July 16, 2008
Blues Guitar Hidden Secrets
Guitar soloing is never boring, you can forever learn something new. And is actually truly calm, which is why it is one of the most current music instruments on the world. Learn to play guitar the calm way, if you have forever sought to learn to play, or have tried and not been able to get any outcome you might think it is too hard for you. The rightful beauty is that every part of the instrument from the variety of solos, the skin of the guitar and ultimately, the tune you desire to play, is all about individual preference.
What comes to attention is a regard of real joy. However, there are a lot of stuff I do right handed, and improvising sols is one of them. And is not that truly what playing guitar is all about. The major thing is, to have fun, because that is what guitar sols is all about. Picture that you, or superstar you know, who does not know a thing about guitar soloing is banished to a deserted island in order to revise guitar. Because it is a very bodily experience, the more sensitivity the player has the better.
We have just reached the tip of the iceberg, as the remainder of this article will help to further your understanding of this complex subject.
I find that soloing is more based on intervals and mount degrees, playing the piano is more based on the actual remarks in the mount. I am forever amazed to gather of people practicing in front of the television, as if it is just some rote mechanical apply. But I am solid you also allow that guitar play is greatly more complicated than riding a motor bike. As you can see it is not the end to your whole career, playing instruments other than a guitar is the way to go to make sure that you are departing to be able to get into a crowd.
You do not win at guitar because it is an art of many varieties, but you can win against manually by running on your weak points or struggles. The cornerstone to faking like you are super grand at playing guitar is called the pentatonic mount. Also grasp that most great players know that playing guitar soloing is a period shoot and the better they get, the more they want to get better. The art of blues guitar solos is on a rejoinder, however. Made so clean that whole beginners can lastly understand what it takes to play If you know the shortcuts, improvising guitar is as calm as one two three. Share the information that you have learned with your friends and family. They will be impressed by your knowledge and happy to learn something new.
: article by Ronald Firquain
Add comment July 15, 2008
Play Guitar Less, But Get Better Faster
I was told a different way of thinking about music, the guitar and ultimately my playing. Not only that, but it really made me think about just what is was I wanted to accomplish with my guitar. What is that one thing I am searching for? The answer didn’t come for weeks, and I mean weeks! It frustrated the hell out of me, I had been told this information, but I had no idea what it really meant. So as the weeks past and I continued to slave away for hours on end getting sick of what I was playing something finally clicked, like I finally saw the light it was like I instantly understood everything I was told!
I thought I had learnt theory, scales, modes, chords, keys and everything else a lead guitarist should know. Then I realized the truth… I KNEW NOTHING! You see, when you first start playing Guitar or any other instrument, you think your knowledge and skills are placed on a pyramid, and eventually you will get to the very top and you would have mastered the Guitar or whatever you instrument may be. The reality of it all is that this concept couldn’t be further from the truth.
The pyramid of knowledge does exist, but not in the way you probably think it does now. The pyramid is actually upside down. You start at the very bottom, the one little point. As you go up the pyramid you finally realize just how little you know and that is when you realize that there is no real thing as ‘mastering the guitar’ because it is completely impossible. There can be no gauge to compare blues to jazz, classical to rock. There are so many different voicings from a guitar that there is no way you can compare an acoustic guitar to an electric guitar. One you realize this, you can start to define exactly what it is that you want to be able to do on the guitar, whether that means learning a certain part of theory, finger tapping, sweeping or anything else.
Once you define what it is that you want to be able to do, you can start acting on it. Get all the information you need to be able to learn what you want to learn. And of course once you have learnt everything you set out for yourself, a new set of goals with arise, it is a never ending battle of knowledge, that is what you need to realize. The real secret to be able to play less but get better faster is to know what you want to learn! Without this, you don’t know what direction you want to go so people often end up either staying in the same place or running in circles. Set out a time of day, maybe first thing in the morning or straight after work. Even if it is just 15 minutes, have the time set out so you can do it everyday without fail and start learning exactly what it is you want to learn. Stick to it and don’t give up, the results will be worth it.
So on my search for playing material I found a secret that most will never know, it’s crazy to think that something as simple as knowing what you want and doing a tiny bit everyday will make you the player you always wanted to be without having to slave away locking yourself in your room for hours on end. Remember the pyramid is upside down! So make it clear what you want, and go for it!
Add comment July 12, 2008
Using The Blues Guitar Scales Effectively For Blues Musicians
One of the key elements to learning how to play blues music is learning the scales and chords that make up the foundation of what blues music is. There are a lot of different kinds of blues music and different styles within that genre that you can learn, so it’s important to just start with the basic simple chords and scales and work your way up to the more complex ones.
The blues scale is a product of the meeting of African and Western musical cultures. It combines elements of the major scale with the blue notes of the music of the slaves and their descendents. A blues scale will have a blue third, a blue fifth, and a blue seventh, plus notes from the major scale. The basic blues scale is a pentatonic minor scale, but it has one additional note than the regular pentatonic minor scale. It’s this additional note that gives the needed amount of tension to create the signature blues sound. The scale consists of six different note names, but when you actually play the blues scale you will play all the places for those note names within that specific position.
Once you learn that particular scale, you are now ready to master the timing, structure, and improvisational aspects of blues music. This is best accomplished by playing along with blues backing tracks. Practicing along to blues backing tracks is like practicing along with an entire blues band accompanying you. There are a lot of benefits that can come from using blues backing tracks to improve your practice time.
One of the benefits to using blues backing tracks to perfect your skills is it helps you to understand structure and how the scale fits in with the rhythm section. By playing along with blues backing tracks, you’ll be able to combine the knowledge you have of the scale and apply what you’ve learned about music theory.
Another great benefit of blues backing tracks is the fact that it is a powerful weapon in mastering one of the trickiest parts of playing the blues, and that would be improvisation.
With these guitar backing tracks you have the freedom to improvise a hot lead solo based on your knowledge of the scale and your own creativity. Improvisation is an important technique, one that is crucial for the blues guitarist to flourish in, especially during a live performance, which these tracks are also good for as well.
: article by Zack Roberts
Add comment July 10, 2008